Vintage King Nashville equips new Haxton Road Studios

Vintage King Nashville equips new Haxton Road Studios

Successful Arkansas music producer Neil Greenhaw has opened the new Haxton Road Studios after working with Darrin Fendley of Vintage King Nashville to outfit the studio with gear.

Greenhaw's goal was to create a space from the ground up that fosters creativity and caters to artists and their songs in the central US.

The centerpiece of the studio's control room is a new 48-channel Solid State Logic AWS 948 Delta console. Greenhaw's love for SSL consoles dates back to his days tracking through them as a Nashville session player.

"I chose the SSL AWS 948 Delta because I wanted flexibility," Greenhaw said. "It was important to me to have an analogue path with the SSL preamps, EQ on each channel, and the Master Buss Compressor, but I also wanted to maintain digital control for Pro Tools HD and be able to write automation. The AWS also features Total Recall which is amazing for our workflow.”

Gear-wise, Haxton Road Studios is equipped with a plethora of equipment, including vintage analogue pieces like a Neve 1073, Neve 32264A, Urei 1176 Bluestripe and Neuman U 67, alongside modern classics like a Retro 176 and Sta-Level. Greenhaw's guitar collection includes a 1937 Gibson L00, 1946 Gibson SJ, 1963 Gibson J45, 1942 Martin 00-18 and 1958 Martin D18.

"Working with Neil has been great. We spent a lot of time leading up to the sale talking about and designing just the right choices of equipment," said Vintage King audio consultant Darrin Fendley. "Haxton Road brings the best new gear from companies like Shadow Hills Industries, Solid State Logic and Barefoot Sound together with classics from Neumann, Urei and Neve."

While the doors at Haxton Road Studios have only been open a few months, Greenhaw already has his eyes set on future projects for the studio, with plans to expand into publishing, a label and the digital marketing arena.

"I want to cultivate a culture in Northwest Arkansas of musical excellence, but also implement a design aesthetic with comfort and acoustics at the forefront," Greenhaw concluded. "My hope is that Haxton will foster quality recording here, but also attract talent from all over the world to experience what we've done. Bentonville is a place I'm proud to call home and I believe this studio will be in the history books for nurturing a new era of the arts in this region."

http://www.haxtonroadstudios.com/

https://vintageking.com/

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CDJ-1000mk3 Gets Amazing NXS-Style Display Mod

DJTT has written about a number of wild gear mods over the years, but this one might be the most useful revitalization of old DJ gear yet. In this mod, an old CDJ-1000mk3 (released in March 2006) gets a powerful new heads-up display that offers the same level of detail that CDJ-2000NXSs have on them. Watch the mod in action and keep reading to learn more.

The post CDJ-1000mk3 Gets Amazing NXS-Style Display Mod appeared first on DJ TechTools.

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HL Audio gearing up for Glastonbury 2017

HL Audio gearing up for Glastonbury 2017

Somerset-based HL Audio, which has handled all the audio and lighting needs for the Glastonbury Avalon Cafe Stage since 2007, is now preparing another HK Audio and Lewitt sound package ahead of the 2017 festival this weekend.

Located in Frome, HL Audio has a long association with HK Audio from back when it first invested in an Actor DX PA system from the German sound reinforcement specialist, often opting for two linked Actor DX setups or alternatively a Projector rig.

These days, though, HL directors Tom Pepler and Will Angeloro have found that two full HK Audio active LTS systems are ideal for the eclectic mix of acts that frequent the Avalon Cafe Stage, from rock groups to ten-piece funk bands, folk acts to world music.

For stage monitoring, they use a mixture of the PREMIUM PR:O PRO 15XD and Linear 5 L5112XA cabinets, as the quick changeovers and varying stage requirements demand frequent monitor repositioning for optimised sound. 

Then there's the choice of mics: “Recently, we have begun using the Lewitt wireless and wired range as a new addition to our microphone stock," said Pepler. “We are finding that more often than not, we reach for the Lewitt MTP250 over other microphones. The feedback rejection allows the artist to be heard clearly on stage, at higher volumes, while also providing a clearer signal for better FOH mixing.”

And it seems that HK Audio speakers will remain a feature of this area of the festival for some time. “Overall, we are extremely happy with HK Audio," Pepler continued. "We have had a history of superb sound, happy bands, and satisfied crowds. The LTS is the latest in a long line of HK products that will serve the Avalon Cafe Stage’s needs perfectly.”

HK Audio and Lewitt are distributed in the UK by JHS & Co. Ltd.

http://hkaudio.com

http://www.hlaudio.org.uk

http://www.jhs.co.uk

http://www.lewitt-audio.com

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